On Monday (May 8), West Bengal CM courted controversy by labelling ‘The Kashmir Files’ and ‘The Kerala Story’ as ‘distorted movies.’
During a press conference at Nabanna (State Secretariat), she claimed, “If the political party play with fire, casteism or divide and rule…Why this “Kashmir Files’? To humiliate one section. What is this Kerala File? Though I do not support the CPI (M) because they are working with BJP.”
“I am talking about the people…Instead of me, it was their duty (CPIM) to criticise it…That BJP is showing ‘The Kerala Files’…A distorted story,” Banerjee brazened it out.
The West Bengal CM went on to allege that the movie’s cast was sponsored by the BJP, which came to Bengal to promote ‘The Kerala Story’. She suggested that movie makers have no qualms about making Kashmir Files and supposedly ‘condemning’ Kashmiri people.
“What is the fault of people? We respect each and everybody. That is our Constitution. Now they are defaming the Kerala people and State. Their narrative is to defame the Bengal also,” Mamata Banerjee concluded.
It must be mentioned that she has banned the screening of the movie in West Bengal, citing the need to maintain ‘peace’ in the State. “West Bengal govt has decided to ban the movie ‘The Kerala Story’. This is to avoid any incident of hatred and violence, and to maintain peace in the state,” Mamata Banerjee said.
The targeting of ‘The Kerala Story’ and ‘The Kashmir Files’
The movie ‘The Kerala Story‘ revolves around the tragic reality of ISIS brides, with the lead actor Adah Sharma playing the role of one Shalini Unnikrishnan, who is brainwashed by her Muslim friends and gets converted to Islam. She later travels to IS (Islamic State) controlled area with her spouse.
‘The Kashmir Files’ film takes viewers back to 1989, when due to rising Islamic Jihad, a huge conflict erupted in Kashmir, forcing the great majority of Hindus to flee the valley.
Ever since the two movies hit the theatres, they came under attack from the left-liberal cabal and politicians accused of minority appeasement. They sought to denigrate the movie and term the real-life incidents showcased in it as the figment of the director’s imagination.
