Tuesday, November 19, 2024
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Ahead of Chhath Puja, Twitter users compare the clean Sabarmati riverfront with the polluted Yamuna

The Yamuna River in Delhi and the Sabarmati Riverfront in Gujarat are being compared in pictures and videos that are gaining traction ahead of Chhath Puja, a highly significant festival for Biharis and other North Indians.

Thousands of people are criticizing Delhi Chief Minister Arvind Kejriwal on Twitter over the Yamuna River’s extreme pollution while praising Gujarat’s Sabarmati Riverfront. By promising a clean Yamuna in a timely manner, Kejriwal’s AAP party has won two elections. However, Yamuna’s surface is still covered with foam. A vast number of Bihari people bathe in the river during the Chhath Puja celebration.

Since a few years ago, the devotees have been forced to choose between taking a bath in the contaminated, foam-mixed river waters or staying away. In an effort to save face this year, the Delhi Jal Board crews are spraying chemicals into the Yamuna River to dissolve the froth brought on by the severe pollution in Delhi. Although the optics may be saved, the chemical that is being sprayed is considered to be harmful to the skin. While Arvind Kejriwal is campaigning in Gujarat, the residents of Delhi are in danger of illness as a result of pollution in the Yamuna River.

Netizens highlight how the Sabarmati riverfront in Gujarat is clean and pristine as compared to squalor strewn on the Yamuna riverbank

Gujarat Based senior Journalist Nirnay Kapoor yesterday shared the pics of preparation at the Sabarmati riverfront and said, “Due to the pollution of Yamuna in Delhi, you are seeing the ruckus on Chhath Puja, now just look at the preparations for Chhath Puja in Ahmedabad, there are only 2-3% Bihari in Ahmedabad, this Chhath Ghat was built separately for them, which is being cleaned Yes, pollution is also “0” in Sabarmati.”

Now, a comparison video of the Sabarmati River in Gujarat and the Yamuna River in AAP-ruled Delhi is going popular on social media, with users pointing out the differences in cleanliness between the two rivers.

BJP Spokesperson Shehzad Poonawala also tweeted the pics for comparison and wrote, “On Left see Gujarat Model where preparations for Chhath Puja are being done in Ahmedabad On Right Hand Side is Kejriwal Model where toxic Silicone Defoamer was used & now there is a ban on all ghats of Yamuna Ji because Kejriwal betrayed Maa Yamuna.”

North Delhi Municipal Corporation’s former mayor Preety Agarwal, posted a comparison video with the caption, “The difference is clear.”

BJP’s IT cell head Amit Malviya tweeted, “Delhi’s air quality this morning is in “very poor” category. The Delhi University area, where Kejriwal lives, is worst affected. This is despite no Deepawali crackers. Yamuna is also frothing just before Chhat Puja. Incompetent Arvind Kejriwal is the person to be blamed for it all.”

Another Twitter user posted a meme regarding the same with the caption, “Delhi’s magician’s amazing. Yamuna river turned into Dal Lake.”

Chhath Puja will be celebrated on October 30. It is a celebration of the Sun God, the power source of our world, the one who makes life possible for us humans. Usha and Pratyusha, the two consorts of the Sun God are considered his energy that blesses humans with life, fertility, agriculture, and health.

Stubble-burning incidents in Punjab record a 20 percent rise, plunging Delhi’s AQI to ‘very poor’ category

On Friday, the Air Quality Index (AQI) in the national capital fell into the ‘very poor’ category as the state of Punjab witnessed around 2067 incidents of parali stubble burning. The overall AQI of Delhi stood at 357 (304 in the year 2021) while the highest AQI was recorded at Anand Vihar measuring between 455 to 500.

Reportedly, the state of Punjab has witnessed around 8147 incidents of stubble burning from September 15 to October 27. The state has also recorded a 20 per cent increase in such incidents in comparison to the number of farm fires in the same period last year, affecting the quality of air in the major parts of Delhi, Punjab, Uttar Pradesh, and Bihar.

The incident came to light as BJP National Spokesperson Shehzad Poonawalla tweeted saying that the state of Punjab had witnessed 2067 Parali burning incidents in one day. He also slammed the AAP government for ignoring the stubble-burning incidents and blaming firecrackers for the poor air quality of the city.

“Diwali is long over but the AQI in Delhi and the pollution in Delhi are plummeting. AQI has crossed 300 in many parts of Delhi but firecrackers are not to be blamed. The real cause of blame as per Mr Kejriwal was Punjab’s burning of parali stubble. He said this last year and last to last year. In fact, in Punjab, a 20 per cent increase has been marked in stubble burning compared to last year. 2000 incidents of stubble burning have taken place just yesterday and entire north India is facing severe pollution”, the BJP leader said.

He added, “According to the IIT, the main causes of pollution in Delhi are vehicular pollution, industrial pollution, dust on roads, construction dust, and biomass burning. What has been done by the AAP government in Punjab and Delhi on these fronts? What happened to Pusa Bio Decomposer?”

The BJP leader also said that the AAP leaders had done nothing for Delhi as far as the issue of pollution is concerned and now were imposing bans on Chhat Puja and firecrackers during Diwali. “The only agenda of the AAP government was to demonize Diwali and demonize Hindus. They could not clean the river Yamuna so they have also put a ban on Chhat Puja at the ghats of Yamuna”, he said.

Delhi on October 28 witnessed severe pollution. The AQI at Anand Vihar measured between 455 to 500 at around 4 pm. However, Delhi had an overall AQI of 357, Ghaziabad 384, Noida 371, Greater Noida 364, and Faridabad 346. The air quality in the several cities of Punjab, Uttar Pradesh, and Bihar also fell in the ‘very poor’ category. Reports mention that an AQI between 0 to 50 is regarded as ‘good’, 51 to 100 as ‘satisfactory’, 101 to 200 as ‘moderate’, 201 to 300 as ‘poor’, 301 to 400 as ‘very poor’, and 401 to 500 as ‘severe’. 

According to the Centre for Science and Environment, Stubble burning is the large-scale combustion of crop residues from the rice-wheat systems of Punjab, Haryana, and western Uttar Pradesh. The transport level winds then carry the smoke from the farm fires to Delhi and nearby areas affecting the quality of air.

Earlier, in July 2022, Delhi CM Arvind Kejriwal and Punjab CM Bhagwant Mann said that they would do everything possible to provide a healthy environment to the people of Delhi. They also proposed to provide a cash incentive of Rs 2500 per acre to the farmers for not burning their paddy stubble.

Also in the year 2020, the Kejriwal government distributed Pusa bio-decomposer for stubble management, free of cost to the farmers. He had said that the stubble burning in neighbouring states in October is a major factor behind the high level of air pollution in Delhi and that the usage of Pusa bio-decomposer would help reduce the pollution.

However, the state of Punjab witnessed around 8147 incidents of stubble-burning from September 15 to October 27 this year. The state also recorded a 20 per cent increase in such incidents in comparison to the number of farm fires in the same period last year, affecting the quality of air in the major parts of Delhi, Punjab, Uttar Pradesh, and Bihar.

Vishwa Vedic Sanatan Sangh to hand over power of attorney of Gyanvapi Cases to UP CM Yogi Adityanath

All cases involving the disputed Gyanvapi premises in Mathura that are being handled by Vishwa Vedic Sanatan Sangh will be handed over to Uttar Pradesh Chief Minister Yogi Adityanath. On Saturday, Jitendra Singh Visen, the head of the Vishwa Vedic Sanatan Sangh, stated that all legal proceedings would be completed by November 15.

Jitendra Singh Visen told Dainik Bhaskar that the Vishwa Vedic Sanatan Sangh has filed almost all of the cases related to the Gyanvapi premises. VVSS is currently advocating five cases. Apart from the Maa Shringar Gauri case and Bhagwan Adi Vishweshwar Virajman case, VVSS is currently involved in three other cases. After the legal process is completed, the power of attorney for these five cases will be handed over to CM Yogi Adityanath.

Jitendra Singh Visen further said that the decision to hand over the case to the UP CM was already made, which is being implemented now. He said that by November 15, the legal formalities for giving power of attorney to Yogi Adityanath will be completed.

In general, a Power of Attorney is a legal system that allows one person to act on behalf of another. It enables a person to appoint someone or an organization to manage his assets, medical affairs, and finances while he is away. The authorized person is referred to as the agent or power of attorney agent. Depending on the terms and conditions, the authorized agent may have broad or limited legal decision-making authority over property, medical matters, and finances. The Power of Attorney Act of 1888 governs it.

On the other hand, a hearing was held on October 28 on an application filed by Hindu Sena National President Vishnu Gupta and Ajit Singh seeking permission to conduct worship and religious rituals, referring to the Shivling found in the Gyanvapi complex as Lord Avimukteshwar. The respondent’s counsel was present during the hearing in the court of Civil Judge Fast Track Court Mahendra Kumar Pandey.

In this case, the respondent Anjuman Intejamiya Masjid, Kashi Vishwanath Trust, Varanasi DM, and Police Commissioner were given advance notice of the application letters. The next hearing of this case has been scheduled for November 29.

On October 14, the Varanasi district court denied the Hindu side’s petition, which sought a scientific evaluation of the Shivling discovered within the Gyanvapi mosque complex. District Judge AK Vishvesh delivered the verdict saying that allowing study of the Shivling will violate the Supreme Court order of keeping the Shivling safe, as the process of study may harm it.

It should be noted that the Anjuman Intezamia Masjid Committee Varanasi had previously objected to the Hindu side’s request on the grounds that it is in a ‘prohibited area.’

Kantara: A fierce feeling of deep devotion, the man-nature conflict and reclaiming our civilisational roots

A friend from Bihar exclaimed over the phone during the Deepawali weekend. “What’s this film, Kantara that has made everyone’s mind go dhuan dhuan in towns and villages here?!” For the uninitiated, it’s typical Deepawali imagery to denote excitement over something. So, imagine the effect Rishab Shetty’s moneyspinner has had on the Hindi belt that even the average film lover in the remotest part of Bihar couldn’t evade its fascinating grip. Bihar, a place, you might reason, that possibly has no clear similarities with Tulunadu’s interiors, where Kantara was filmed and where the lore is based. But then, if you think in the context of Bharat’s ancient beliefs of Hindu religious rituals, traditions and customs, every part of this country is bound by a common thread of devotion. That is the call of divinity Kantara has evoked in the majority.

Backed up by nil explanations or justifications Shetty’s treatise is an unapologetic celebration of the indigenous beliefs of Tulunadu’s tribal Sanatan civilization. Released roughly a month before Hindus in the country celebrated Deepawali, its success also resembles the emphatic manner in which the festival was observed this year in the face of constant communist propaganda to deride, mock and target only Hindu festivals. Just like we did Deepawali this year with Indian mithai and magnificent firecrackers, Kantara proudly and boldly flaunted its Hindu identity by crafting a riveting saga depicting the Bhoota Kola traditions observed in the forest villages there. The layered narrative incorporates many important subjects and elements about land conflicts, the role of women and human flaws and follies but every subplot is deftly balanced without any shred of guilt or remorse. That is another beauty in the magical world of Kantara, which has found praise and love from the masses not only in India but also in the world for its nuanced and relatable content. 

The fierce feeling of Deep Devotion

While it is unfair to give out spoilers here but any discussion on the film would be incomplete without referring to the spectacular climax where the protagonist Shiva (played by writer and director Shetty himself) finds himself empowered by the call of Guliga, the Daiva who destroys those who wrong the villagers. Be it in the body language, the dance or the expressions, there is an unrelenting display of passion in his war cry as he vanquishes evil. The imagery is almost of an angry Shiva doing the taandav of destruction after being invoked by Daiva (the hero’s personality arc is also drawn on the lines of Mahadev where he is seen to destroy as well as protect.

His tree house, where he hangs around with his friends, is also named Kailasa, a direct reference to Bhagwan Shiv’s eternal abode). Threading together a religious tradition practised in Tulunadu since ancient times, the movie celebrates an art form but does it with deep devotion. Honestly, the cinematography and choreography touch a raw nerve in the audience who feels the divinity depicted. It’s almost as if the audience finds a voice that cries out, “Yes, this is our culture and we shall own it. Whoever tries to belittle these beautiful traditions of ours, we shall silence them with the strength in our beliefs.”

Considering that the climax, which binds the entire story in a comprehensive whole, is the high point of the blockbuster, the film has given a fat chance to the Hindu majority to be proud of their religion, traditions, beliefs and customs unapologetically. The time to clam up is over. The film is representative of the fact that today a Hindu is much more enthusiastic and bold about flaunting visible symbols of his faith. Earlier, under the attack of the Left and Islamist cabal, he might have been ashamed to celebrate his traditions and icons openly but this marks an inner shift in the identity of self-acceptance and pride. The Hindu has found his voice and it is here to stay!

Chronicling the true colours of an Indian village

The Indian parallel cinema movement, with communist/socialist narratives rampantly brainwashing viewers, had always painted Bharatiya villages as depressing, joyless lands. This resulted in the masses getting disillusioned by the picture of dismay presented of their heritage and roots. Kantara’s legends are derived from the divine land of Tulunadu which is blessed with thick rainforests and a rich culture deeply rooted in tradition and the lore of the land. Every frame of the film is an ode to that diversity. From Kambala racing, and Yakshagana to Daivaradhane, every single aspect of local culture is sensitively depicted with the respect it deserves without belittling them as ‘folk culture’ or attempting to trivialise ancient beliefs, in the name of modernisation. Instead, Shetty’s pen delves deep to maintain the delicate balance between nature and human activity. The glorious co-existence of tribals and the respect they pay to nature is incessantly harped upon. 

Every frame (the cinematography by Arvind S Kashyap is a charming play of rustic originality and passionate candour) is a detailed, authentic representation of the rural culture, lifestyle and lands of Tulunadu, from the rain-splattered dirt paths, the mud and cow-dung tulsi Vrindavanas, the adike shringara, the humble but practical clothes or fresh arecanut flowers offered to the Daiva to the outdoor bathrooms built from woven palm fronds. If masses from all over India found a resonance with the film, it also means these vignettes remind them of their village roots and homes they probably pined for sitting in urban concrete jungles. Shiva and his pals live simple lives, and eat frugal (but fresh) food, but they nurture mutual respect and love for each other. They fob off problems by supporting each other and not once does it look like they hate their lives in the village. In fact, such is their devotion towards their motherland that they go to great, and spiritual, lengths to protect it from the evil eye. 

Rationalising the Nature and Man conflict  

J Sai Deepak’s India that is Bharat studies the sacred bond between Mother Earth and humans that Bharatiya culture always nurtured and worshipped through effective modes to balance the need for preserving nature with human desires and aspirations. The concept of sacred forests, water bodies protected by guardian deities or worshipping rivers as sanctimonious entities were all Hindu ways of protecting and preserving the purity of nature. Colonial rule tried to uproot all these traditions and indigenous ways of eco-protection under the guise of modernity. Local communities were forcibly stripped off of their roles as sacred custodians of the natural environment, and that role was usurped by the state.

The film clearly depicts how this has given rise to conflicts between an all-powerful state that neither understands nor respects local traditions as well as culture and communities that are no longer stakeholders. This struggle enables selfish elements to exploit nature at the cost of both, the state and the communities. The devious landlord represents this mindset. Kantara thus becomes a dialogue to reclaim the holistic balance between Mother Nature and human activity through age-old traditions and culture. Offering hope, the narrative hints that the state-community partnership can possibly be a respectful solution to the man-nature conflict. Local communities need to identify themselves as sacred custodians of the environment, and the state machinery can enable that. How impeccable would that settlement be! 

Reclaiming our civilizational roots

Kantara has shown what life in remote hamlets of tribal areas is all about through an intricate tapestry of music (B Ajaneesh Loknath’s score is impeccably rousing as well as heartstoppingly beautiful), dance and drama. Simple lives, meaningful rituals, drinking habits, food traditions and finally, their beliefs and reverence for their Gods are all shown through a narrative that is relatable to the masses so that the effect is supreme. The love story, quite practically shows that carnal desires are part of the emotion but nothing is cheap or crassly presented. Women have a strong voice and an important role to play in the film. They are not merely sidekicks. Human flaws are not hidden in the script but neither are they harped on. In fact, this realism and fine-tuning is what makes Kantara a sensorial and spiritual delight. If a cultural renaissance could be transcribed through cinema, Rishab Shetty has shown how that is to be done. Perhaps the audience has understood through this movie that it’s high time we recognize the good work happening in cinema and reclaim our roots through that powerful vocabulary. 

Gujarat government looks to introduce Uniform Civil Code in the state ahead of assembly elections

The Gujarat government is likely to implement a uniform civil code in the state soon. For this purpose, it may propose to set up a committee under a retired high court judge to evaluate all aspects. A similar exercise was earlier undertaken by the Uttarakhand government under Bharatiya Janta Party (BJP). The Gujarat government is likely to move a proposal on October 29 regarding this law.

A proposal to set up the committee is likely to be tabled in the Cabinet meeting on October 29 in Gandhinagar. The Gujarat Home Minister will hold a press conference at 3 pm. It is believed that he can make an announcement about this development.

What is a Uniform civil code

The Uniform Civil Code proposes the creation of a single legislation for India that would govern issues like marriage, divorce, inheritance, and adoption for all religious sects. The law is mandated by Article 44 of the Constitution, which states that the state must work to establish a uniform civil code for its residents across the entire country.

The governments of Himachal Pradesh and Uttarakhand have already declared their intention to adopt the Uniform Civil Code. A plan to create and implement a uniform civil code in India would ensure that all individuals, regardless of gender, or religion, are subject to the same personal laws.

The BJP also included the Uniform Civil Code in its manifesto during the 2019 Lok Sabha elections. This is an issue that has always been in the news. The BJP believes that gender equality will come only when the Uniform Civil Code is implemented.

Many politicians have supported the Uniform Civil Code. However, the All India Muslim Personal Law Board (AIMPLB) has termed it as an unconstitutional and anti-minority move. The Centre had earlier this month told the Supreme Court that it cannot direct Parliament to enact or implement any law on uniform civil code in the country.

The Wire’s fabricated story about Meta and Amit Malviya: Does Left ecosystem need protection or do people need protection from this ecosystem

In selecting Amit Malviya as a punching bag, The Wire and its editors may have thought they found a juicier soft target than, say, Jay Shah. Just as a tiger or lion picks the weakest in a group of prey. After all, he is just in charge of their IT cell. While BJP may make noise, it will not dare to lower the boom on a global woke-protected leftist rag like The Wire just because he is the victim. And run the risk of synchronised global outcry. 

That was a good bet while it lasted. 

But then the entire story collapsed and backfired worse than the hit job on Shah. It is now almost universally seen as nothing more than a big lie covered up with increasingly bizarre and low-quality bigger lies that stretched credulity. The original assertion that turned out to be fake was at least somewhat plausible and easier to defend considering the opaque nature of Meta’s largely woke left-controlled censorship. But clearly Wire picked the wrong collateral damage candidate in Meta without thinking it through. Which is ironic considering they are part of the Ummah. You can almost say it is stupid on the part of The Wire to believe that they can take down Malviya or BJP without damaging Meta and by extension the fellow leftist wokes that run the show. 

In the end, The Wire and Sidharth Varadarajan were brought down not by Malviya (who barely tweeted about the entire saga) or BJP (which too kept largely silent) but by leftists within and outside Meta and by independent tech experts with no love lost for BJP. They obviously felt backing up even ignoring this botched-up fraud and its childishly verifiable lies anymore will destroy their own reputations beyond repair. Just as Wire/SV threw Devesh Kumar under the minibus, the wokes threw Varadarajan under a double-decker bus. That poor guy was not even paid his salary on time if you believe his assertions while the top honchos sat in Paris cafes tweeting anti-Modi nonsense. But then that’s how socialism has always been.

Enough has been said about the half-hearted “apology” that no one outside the ecosystem and the 10JP servant quarters takes seriously, let alone believes. The attempt to paint themselves as victims is a joke and perhaps the least believable of all the things they have said over the last few weeks. Let me not delve into that, other than to remark that, by not specifically apologising to Malviya himself, The Wire has done Amit Malviya and the cause of truth and genuine journalism a big favour.

Because now, Amit Malviya has a watertight case and an adversary that clearly shows no contrition to the target of the slander and the victim of the original lie.

Or does he? That is the big question.

The lawsuit

Now Amit Malviya wants to pursue them in court of law – both civil and criminal. We wish him luck.

It can be said that the judiciary itself and the system are on trial in this case. Because, in the past, sections of the Indian judiciary were extremely sympathetic to the supposedly “independent, speak truth to power” lobby. On the face of it, this is great. Because it is the duty of the system and its independent institutions to protect the weak and prevent bullying by the strong state. One can at least understand the noble motives when midnight bails are arranged for the likes of Teesta Setelvad based reportedly on WhatsApp messages. 

Of course, we get disgusted when this umbrella of protection extends to the likes of Tarun Tejpal who got away scoot free after openly admitting to molesting. He did not even get the ‘laceration’ that he wanted! And we are troubled when the same judiciary tells some other hapless journalist “You are safer in jail” because he took on the wrong sort of power. But that is a topic for another day.

The present saga raises tough moral questions that our judiciary must confront in all sincerity when the case comes before them. This is over and above the facts of the case itself which should be open and shut. The answers will provide them with a moral compass to decide others that will doubtless come before them.

  1. Is it really “independent, speaking truth to power” media they find in the defendant’s stand? One that deserves their protection and helps in the interest of Indian democracy? 
  2. Are they instead protecting an ecosystem that is globally powerful and that doesn’t need any protection but a harsh and financially painful lesson in basic tenets of journalism and respect for truth?

Let us take consider these questions.

Consider the first question – when we are discussing The Wire and its prominent face – Siddharth Varadarajan, are we really dealing with an independent journalist? Opinions differ and I would like to believe that he is neither. Activism or political hatchet jobs even for a good cause is not journalism. Mani Shankar Aiyar too writes columns for NDTV.

To me, the simple test of someone that claims to be independent is to check their track record when their pals were ruling. If you apply this test by any objective measure, the entire “speaking truth to power” cabal that shouts loudest about “independent journalism” finds its claims resting on very weak foundations.

After all, 2004-14 or even earlier periods are still fresh in our living memory, records, video clips, articles and tweets exist and are not buried in the sands of time unlike the actions of Aurangzeb or Babur.

Try answer a couple of questions sincerely:

  • Will Siddharth Varadarajan and the leftists consider today’s right-wing media ‘fiercely independent journalists that speak truth to power’ if UPA comes back to power and they start attacking it non-stop? 
  • If the Rajya Sabha TV were to spend public money to produce a movie featuring the wife of one of Modi’s ministers or a senior BJP figure, and if a journalist never questions that, would you call that journalist independent? 
  • In any case, is it a better use of public money than Central vista which is an asset for the next century? Which one of the two incidents did Varadarajan loudly protest?
  • If the same RSTV under Naidu or Dhankar invites select friendly journalists to run shows, paying them lakhs in ‘professional fees’, will the leftist cabal simply call it a routine business decision? Will such journalists ever be labelled or acknowledged as ‘independent’?
  • How many harshly worded articles by these ‘independent journalists’ do you recall questioning the corruption of the UPA era? Or the rapist savagery and mass murders in Nandigram or Singur or elsewhere?
  • How many fierce questions did the UPA era de-facto PM and nominal PM face in interviews, like the one Rajdeep did with Sonia G?

To cut the long story short, if the judiciary wants us to believe that they are protecting ‘independent journalism’, and not political propaganda by one set of players, they have a bit of convincing to do before the public at large accepts it and their own standards demands of them.

Coming to the question of the financial or other vulnerabilities of this group, that make them eligible for special protection, consider this. The omerta of the immensely wealthy and powerful global woke cabal, fascist looter dynasties, Editors Guild, controllers of “freedom” indices, high priests of liberalism, powerful Western and Indian liberal media and various wealthy financial backers of Wire over this entire affair gives eloquent testimony. While they jumped to use the fake news and lies spread by Wire to defame Modi/BJP and even India, they are yet to utter a word. And yet to retract their own web of lies spun on top of the original lie.

If there is an example of not just blatant crime but complete absence of contrition or shame or regret after being caught, this must be it. Does this require further mollycoddling by the judiciary?

The indecent haste to certify the ‘apology’ as a great gesture and the rush to bury the affair and ‘move on’ and the censorship of any negative reference in Wikipedia by the same cabal all point to one thing – not just BJP or Modi or Malviya, the entire nation confronts a powerful, united and immensely wealthy coalition that can destroy nations, fake history and achieve pretty much anything they want to. 

Does this ecosystem need any protection at all? Or should we worry about protecting the Indians from them instead?

If our judiciary does serious introspection on these points as the listen to various arguments that will come up before them in this matter, there can be only one result – exemplary punishment that sends a powerful message. That India is no banana republic.

In fact, the mere fact that their victims need to go through the judiciary for relief and they face the court and have their day, not some sort of gulag or firing squad which is what dissidents will face if these ideologues and their ideologies come to power, should make the answer obvious.

Let us watch the space!

Statue of Belief, the world’s tallest Shiva statue to be unveiled in Nathdwara of Rajasthan, to be visible from 20 kilometres away

The tallest Shiva statue in the world is being inaugurated on October 29, 2022. The 369-feet-tall grand figure named Vishwas Swaroopam is visible from 20 kilometres away. Morari Bapu, a spiritual guide and religious preacher from Gujarat, would inaugurate the 369-foot-tall monument of Lord Shiva in Nathdwara town of the Rajsamand district. Other dignitaries will also be present including Chief Minister Ashok Gehlot and Assembly Speaker CP Joshi.

The Vishwas Swaroopam Inauguration Festival is organized by Sant Kripa Sanatan Sansthan from October 29 to November 6 at Shriji Ki Dhara Nathdwara of the Rajsamand district in Rajasthan will begin on Saturday, October 29. It took 10 years to build the statue. It has got a place among the top-5 tall statues in the world.

This statue built on Ganesh Tekri of Nathdwara is built over an area of 51 bighas on a hill. In this statue, Lord Shiva is seated in a meditation posture. The statue is so tall that it starts appearing from several kilometres away. Special lights have also been arranged to make this statue clearly visible even at night. There is a lot of enthusiasm among the people about the inauguration of this statue and a lot of posts are going viral. The Rajasthan Tourism Department has also made special preparations for this.

The story of this 369 feet tall statue becoming the world’s tallest Shiva statue is also interesting. When the plan to build this statue was prepared in the year 2012, it was planned to keep its height at 251 feet. But later its height reached 351 feet during construction. After this, it was planned to install the water stream of Ganga in Shiva’s hair, so its height escalated to 369 feet.

The top five tallest Shiva statues in the world are as follows: 1. Vishwas Swaroopam (Statue of Belief) in Rajasthan, 2. Kailashnath Mahadev Mandir in Nepal, 3. Murudeshwar Mandir in Karnataka, 4. Adiyogi Mandir in Tamilnadu, 5. Mangal Mahadev in Mauritius

Lifts, stairs, halls, etc. have also been built in this statue. During the construction, 3000 tonnes of steel and iron, and 2.5 lakh cubic tonnes of concrete and sand have been used. Winds blowing at a speed of 250 km will also not affect the statue. The ‘Statue of Belief’ was conceived by Mr Madan Paliwal, Chairman, Miraj Group, Udaipur. The concept was further developed by Studio Maturam Art which designed the 351-feet tall statue, while the structural design was provided by Skeleton Consultants and work began in early 2016.

‘Social Media has become an instrument of a terrorist toolkit to spread conspiracy theories’: EAM S Jaishankar at UN Counter-Terrorism meet

On Saturday, External Affairs Minister (EAM) S Jaishankar at the Special Meeting of the Counter-Terrorism Committee (CTC) highlighted that the internet and social media platforms have turned in potential instruments in the toolkit of terrorists for radicalization and spreading propaganda in order to destabilize societies. 

In his speech, Jaishankar revealed that in recent years, terrorist groups, ideological allies, particularly in liberal societies, and “lone wolf” attackers have substantially increased their capabilities by gaining access to these technologies.

According to EAM Jaishankar, terrorists frequently use “technology, money, and the ethos of open societies to attack freedom, tolerance, and progress.”

“The internet and social media platforms have evolved into potent tools in the toolkit of militant groups,” he said.

He also stated that the unregulated use of unmanned aerial systems poses a risk. “Because these unmanned aerial platforms are a relatively low-cost option with increasing ease of access, misuse of these unmanned aerial platforms for malicious purposes such as weapon and explosives delivery and targeted attacks has become an immediate threat,” he said.

Jaishankar announced that India will make a voluntary contribution of $500,000 to the UN Trust Fund for Counter-Terrorism this year to assist counter-terrorism projects in member countries.

Minister of External Affairs also highlighted the flip sides of technology saying that it has posed new challenges to the government, particularly given the country’s “nascent regulatory environment.”

The minister described terrorism as one of the gravest threats to humanity, saying, “The UN Security Council has evolved an important architecture, built largely around the counter-terrorism sanctions regime, to combat this menace over the last two decades.” And it has been very effective in putting those countries on notice who have turned terrorism into a state-sponsored enterprise.”

As successive reports of the 1267 Sanctions Committee Monitoring Reports have highlighted, the threat of terrorism is only growing and expanding, particularly in Asia and Africa.

The United Nations Security Council’s two-day anti-terrorism meeting is being held in India (UNSC). The current meeting in Delhi is being held under the auspices of India’s chairmanship of the Counter-Terrorism Committee (CTC).

Jaishankar notified CTC members that their attendance at the special meeting in Delhi underlines the prominence that UN Security Council member states and a diverse range of stakeholders place on this crucial and emerging aspect of terrorism.

Mass conversion racket busted in Meerut: Christian evangelists lure 400 Hindus to convert, remove idols and threaten against performing puja

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Another instance of religious conversion has emerged from Meerut, Uttar Pradesh, in which Christian missionaries allegedly forced, lured and coerced vulnerable Hindus into conversion.

On Friday, October 28, Uttar Pradesh’s Meerut police filed an FIR against 9 accused under sections of the Uttar Pradesh Prohibition of Unlawful Conversion of Religion Act, 2021. The FIR was filed based on a complaint lodged by many Dalit Hindus living in the Mangatapuram colony, a slum in the Bhrampuri police station area in Meerut. The complainants alleged that some Christian evangelists residing in the same village had compelled as many as 400 of them to convert to Christianity.

The names of the accused include Chabili alias Shiva, Binwa, Anil, Sardar, Nikku, Basant, Prema, Titli and Reena.

Accused named in the FIR

As per the FIR filed in the Brahmpuri police station in Meerut, the Christian evangelists took undue advantage of the lockdown imposed due to the Covid-19 pandemic and lured the poor and vulnerable Hindus with financial aid and food to entrap them. They then gradually started brainwashing them to convert to Christianity.

When the vulnerable Hindus started falling into the trap, the evangelists began pressuring them to visit churches and remove idols of gods and goddesses from their homes. They threatened them not to participate in any Hindu rituals. Additionally, they pressurised the Hindus to change their names on their Aadhar cards.

The Hindu victims also revealed how recently, during Diwali, these Christian evangelists barged into their homes, tore down images of Hindu deities, and warned them against performing puja. They also threatened them with severe consequences if they expressed resentment or complained to anyone.

Copy of the FIR

The issue came to light when some Hindu villagers approached BJP leader Deepak Sharma and told him about their plight. They briefed him about the entire plot devised by the Christian Missionaries to ensnare the poor and illiterate Hindus in the hamlet. Villagers alleged that the real motive behind the conversion racket was that the missionary wanted to grab the land owned by the Hindus in the village.

Image source: ETV Bharat

After learning that these evangelists had already forcefully converted 400 Hindu villagers, the BJP leader went to the SP office with the victims to file a formal complaint against these missionaries, who were using various inculturation methods as bait to fool the village’s gullible Hindu population.

Speaking on the matter, SP Piyush Singh said, “On Friday, some people reached our office and gave an application. It is alleged that people of other religions want to forcibly convert the religions of the people of the village. Instructions have been given to take action by registering an FIR against the accused. The matter will be investigated and appropriate action will be taken.”

The entire religious conversion racket, according to a report in the Hindi newspaper Jagran, was orchestrated by a pastor based in Delhi. According to the media report, pastor Mahesh, with the help of his local aide Anil, provided funds for the marriage and education of many underprivileged Hindus in the area. Pastor Mahesh also married off the daughters of Mangatapuram Hindu villagers to youths from the Christian community.

Moreover, during the lockdown imposed during the Covid-19 pandemic, the pastor gave the villagers food packages and money. In the middle of a financial crisis, the need for medical treatment and two square meals forced these economically deprived Hindu villagers into the trap of the preacher, who subsequently brainwashed these victims to adopt Christianity.

When the situation was brought to light, the police team arrived in the village and saw a temporary church that had unexpectedly sprung up in the neighbourhood. During their investigation of the church, the police discovered numerous records with the identities of all those who had been forcefully converted to Christianity. The manner in which funds are provided to these vulnerable victims was also mentioned in these records. The documents also stated that out of the total 550 people living in Mangatapuram Colony more than 400 people have been converted.

After obtaining the evidence, the SSP filed an FIR at the Brahmapuri police station under sections 3 and 5(1) of the Uttar Pradesh Prohibition of Unlawful Conversion of Religion Act, 2021 and launched a search operation to nab Anil and Mahesh Pastor.

copy of the FIR

As words spread, members of the Hindu organization Hindu Jagran Manch under the leadership of their former Metropolitan President, Sachin Sirohi, also reached the police station and demanded prompt action against the evangelists.

Kerala Court restrains Kantara makers from playing the song ‘Varaha Roopam’ in theaters, streaming platforms

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On Friday, the Kerala Court issued a preliminary injunction barring the makers of the Kannada movie named ‘Kantara’ from streaming the ‘Varaha Roopam’ in theaters or other platforms. This is after a Kerala-based music band named Thaikkudam Bridge filed a complaint alleging that the song was plagiarized from its song named ‘Navarasam’ which was released in the year 2015.

According to the reports, the Principal District Court at Kozhikode issued the order against Hombale Films, Rishab Shetty, Prithviraj Productions, the producer, director, and Kerala distributor of the film respectively. Further, streaming platforms such as Amazon Music, Spotify, Wynk Music, and JioSaavn have also been barred from playing the song on their platforms.

Earlier, Thaikkudam Bridge took to social media to announce that the song was allegedly plagiarized and that they were intending to take legal action against the makers of Kantara. “The unavoidable similarities between our IP ‘Navarasam’ and ‘Varaha Roopam’ in terms of audio is therefore a blatant infringement of copyright laws. From our standpoint, the line between ‘Inspired’ and ‘Plagiarized’ is distinct and indisputable and therefore we will be seeking legal action against the creative team responsible for this”, they had said.

However, the band also shared the news of the temporary injunction by the Court on Instagram. “The Principal District and Sessions Judge, Kozhikode has injuncted the producer, director, music composer, Amazon, YouTube, Spotify, Wynk Music, Jiosavan, and others from playing the song Varaaha Roopam in the film Kantara without the permission of Thaikkudam Bridge (sic)”, the post by Thaikkudam Bridge read.

Meanwhile, advocate Satish Murthi, appearing for the band stated that the Court issued the order after expressing preliminary satisfaction with the plaintiff’s case. Murthi further stated that Kantara’s music director, Ajaneesh Loknath, has publicly admitted to being inspired by the song ‘Navarasam’.  The plaintiff contended that the similarities between the two songs were not a mere coincidence or superficial, but rather significant, and thus it was a case of intentional plagiarism, resulting in an infringement of the rights guaranteed by the Copyright Act of 1957.

The Kannada film Kantara, which translates to “Mysterious Forest,” is written, directed, and starred by Rishab Shetty. It was made by Hombale Films (KGF Franchise). The film’s production values, performances, and breathtaking Western Ghats scenery in Karnataka keep you hooked to your seat for 2.5 hours. The film highlights the diverse customs and cultures that exist in coastal Karnataka, like Bhoota Kola (Spirit/Deity Worship) and Kambala (Buffalo Racing on Slushy Paddy Fields). Keradi, Rishab’s hometown, served as the film’s location.

The story begins with a backdrop from the 19th century about a king who promised to give a tribal people a piece of land in exchange for their diety Panjurli (Wild Boar Spirit), which he believed to have brought him peace and happiness. In addition to the diety Panjurli, Shivagana also has a Karnika (influence) known as diety Guliga, which is worshipped in the shape of a sacred stone. 

Both deities are worshipped together here. In contrast to Panjurli, who is revered as the God of Prosperity and Guidance, Guliga is a Kshetrapala/Kshetrapalaka (Lit. Protector of the place/field) is ferocious, violent, and unforgiving. The main plot of the film is, driven by the greed of the King’s successors to reclaim the land granted to the tribal people and the Forest Department’s efforts to protect the wildlife and trees in the forest from hunting and deforestation by tribals, respectively.